Scientific Commission

Rute Rosas

Professor at the Department of Fine Arts at the Faculty of Fine Arts at the University of Porto. Researcher at CITCEM – FLUP and I2ADS – FBAUP. Fine Artist – Sculptor. PhD in Art and Design: Fine Arts – Sculpture. Thesis/Artistic project: Self-censorship as a poetic agent of sculptural creation – Projects, Processes and Artistic Practices. Advisor: Doctor Professor Enric Tormo Ballester (Full Professor at Universitat de Barcelona). Available in https://repositorio-aberto.up.pt/handle/10216/83244. MA in Multimedia Art: The Somatosensory Perception of the Work of Art – Assumptions of an Artistic Project. Available in https://repositorio-aberto.up.pt/handle/10216/9622. BFA: Visual Arts – Sculpture. / Complementary background in Digital Sound, Digital Imaging, Lost Wax Casting, Polyester Resins, Fabric Arts and Techniques, Glass techniques, Classical Music, and Classical Ballet. Since 1996, Rute Rosas held individual and collective exhibitions. Also developed, collaborated, and organized numerous events such as collective exhibitions, workshops, courses, lectures, and conferences in multiple countries. Additionally, worked on development and production of scenography, set design and costumes. Awarded and with multiple distinctions, her work is represented in numerous institutions and private collections in Portugal, Spain, Italy, England, and Brazil. Rute Rosas has published papers and articles, and her work mentioned in several publications. Praxis and Poesis; Remembrance and Memory; Multisensory Body.; Self-knowledge; Sculpture: Object; Installation; Performance and Happening; Site, Place and Time -Specific; Action/Intervention. Ciência Vitae
Pedro Tudela

Associate Professor at the Plastic Arts Department at the Faculty of Fine Arts of Porto University and Researcher at i2ADS. PhD in Art and Design from FBAUP; Degree in Fine Arts – Painting from ESBAP. Co-founder, with Miguel Carvalhais, of the multidisciplinary and digital music project @c. Founding member of the label Crónica Electrónica. He has worked in scenography since 2002. He has exhibited regularly individually since 1981. He has participated in numerous group exhibitions in Portugal and abroad since the beginning of the 1980s. He is represented in museums, public and private collections. Some exhibitions and artistic activities: The water skin – VNBM, Viseu, 2024; R!™0 – International Museum of Contemporary Sculpture, Santo Tirso, 2023; umbra sonus – C.A.M.A, São Paulo, 2022; see…from…hear, Documenta, Ala da Frente, 2022; Pedro Tudela in the Serralves Collection – Serralves Museum, Porto, 2022. Areas of interest: Current Art, – Sound Art, – Plasticity. Websites: www.pedrotudela.org; www.at-c.org
Pedro Maia

Assistant-Professor in the Drawing Department of Faculdade de Belas Artes da Universidade do Porto and Associate Professor at Faculty of Architecture of Universidade Lusófona – Centro Universitário do Porto. PhD Drawing by Faculdade de Belas Artes da Universidade do Porto and Facultad de Belles Arts de Barcelona; Master in Fine Arts from University of Massachusetts, U.S.A; Bachelors in Fine Arts – Painting by Escola Superior de Belas Artes do Porto. 2021-2025 Integrated Member of the research Project El Paisagem que Habla – Marco teórico y referencias culturales interdisciplinares México, Portugal y España como escenarios. 2023-2024 Coordinator of Scientic-pedagogical Project ARQ: Arquivo de Desenho & Imagem (UL.CUP). 2021-2024 Coordinator of Scientic-pedagogical Project Atlas (FBAUP/FAUP). 2017-2021. Integrated Member of the research Project ARS & URBS – A Representação Pictórica da Cidade – século XVI ao XIX, at Facultad de Belles Arts da Universidad de Granada. Fields of interest: Drawing, Photography, Video, Technology, Landscape. Portfólio – Atlas – ARS & URBS – El Paisagem que Habla
Teresa Almeida

Assistant professor at Fine Arts department FBAUP, researcher at I&D VICARTE – Glass and Ceramics for the Arts (FCT/UNL, FBAUL) collaborator researcher at i2ADS . Postdoc research Unit Glass and Ceramics for the Arts (FCT/UNL, FBAUL); PhD in Art Studies University of Aveiro; Master in Glass – University of Sunderland; two Post-graduation certificates on “Glass and Architecture” and “Glass and Fine Art” Saint Martins College of Art and Design, London ; BA (HONS) in Fine Arts- Painting at Faculdade de Belas Artes da Universidade do Porto. 2024 – Participation at 5º Simpósio International de vidro Nový Bor, Ceke Reoublic. 2021-2024 – Project Erasmus + “Arts and Crafts Aujourd’hui, », ref 2021-1-FR01-KA220-HED-000032240. 2022 – 2023 – artistic residency, Craft Hub project (ID 616676), Maker Exchange Residency, Glasmalerei Peters Studios, Modern Glass Art Design : 2024 – Almeida, Teresa. Glass in Fine Art: Contemporary approaches in the 21^st century in Portuguese panorama. Arts & Communication, AC, 2777 https://doi.org/10.36922/ac.2777. 2020 – Almeida, Teresa. Design Glass Objects: The Portuguese Panorama. Arts 2020, 9(3), 79; https://doi.org/10.3390/arts9030079 Fields of interest: Art and technology, arts and craft, ecology, alternative materials, sustainability
Filipa Cruz

Assistant Professor at the Fine Arts Department at FBAUP and Integrated Researcher at i2ADS. Member of the Scientific Council of the Fundação Bienal de Arte de Cerveira, and the Scientific Committee of the XXIII International Art Biennial of Cerveira. PhD in Sculpture (FBAUP); Master’s Degree in Fine Arts (Beaux-arts de Paris); Postgraduate Degree in Aesthetics (Sorbonne); Degree in Fine Arts – Multimedia (Beaux-arts de Paris); Degree in Fine Arts – Sculpture (FBAUP). 2024-… Editor-in-Chief of HUB. 2024 Artistic-literary project Codas, Editora Letras Lavadas. 2022-24, Artistic Creation Grant – The Journey Project, Governo dos Açores. 2023 Reviewer and International Program Committee member, ISEA2023, Paris. 2021-22, Artistic Creation Project – E primeiro era a palavra: Quando me dá o céu, tenho ouro, DGARTES. Fields of interest: Sculpture, Affections, Metaphor, Ingenuity, Journey. Ciência Vitae

www.filipacruz.com

Rute Rosas

Pedro Tudela

Pedro Maia

Teresa Almeida

Filipa Cruz